Ten Reasons Why Hymnals Have a Future

John D. Witvliet notes the function of hymnals in the life of the church has changed dramatically over the past thirty years.

Many congregations rarely use them. Thousands of Christians seldom, if ever, open one. When people hear of the new hymnal publications, it’s natural for some of them to ask, “Why would you ever want to publish another hymnal?”

The most basic response to this is that many congregations do use hymnals every week, in both public worship and in church education and pastoral care. Still others are rediscovering the value of hymnals, reintroducing their selective use alongside other ways of presenting songs.

Hymnals make several valuable contributions to Christian life today, in dynamic interaction with all the other ways we access and project music and information. Further, a hymnal is a valuable resource for all kinds of Christians, as well as congregational leaders, whether or not their congregation uses a hymnal in worship.

Here are ten reasons why:

1. Hymnals are especially well suited to good group singing of many kinds of songs (though not all).

Cyclical songs of exuberant praise are well served by projecting texts. People’s hands are free for clapping, and the text can easily be cycled through a set of slides. Singing from a hymnal can inhibit participation in songs like these.

But the reverse is true for other kinds of songs.

Hymnals are well suited to singing contemplative songs, where it is helpful to sing with bowed head, while seated or kneeling.

Hymnals are especially useful for singing in harmony, unless that harmony can be projected.

Hymnals are ideal for texts that are more linear—texts that unfold an argument or tell a story in several stanzas. When we sing those kinds of texts from a screen, we can’t see the whole thing at once, and it’s very easy to lose track of where the song is going. (The same can be said for reading the Bible while seeing only one verse at time.)

Congregations do not have to settle for only one way of presenting songs, whether in print or via projection.

2. Hymnals are portable.

Hymnals can travel easily into Sunday school rooms, summer camps, hospital rooms, family rooms, and more. Many congregations that no longer use hymnals or songbooks for worship are realizing that they—without intending to—no longer sing together in places that lack projection equipment. Or, they end up singing only a very narrow range of songs that the congregation may know from memory. This means that they sing less (or not at all) in Bible study groups, in council or staff meetings, or at other gatherings.

I am so pleased to know that some churches that do not use hymnals in worship nevertheless have a library cart with thirty hymnals on it that travels throughout their church so any group can use hymnals at any time.

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Where Did All These Calvinists Come From?

Matt Smethurst says young people are discovering Reformed theology.

Seven years ago this fall, a young journalist named Collin Hansen wrote a cover story for Christianity Today titled “Young, Restless, Reformed: Calvinism Is Making a Comeback—and Shaking Up the Church.” In it he remarked:

Partly institutional and partly anecdotal, [the evidence for the resurgence] is something a variety of church leaders observe. While the Emergent “conversation” gets a lot of press for its appeal to the young, the new Reformed movement may be a larger and more pervasive phenomenon.

Two years later, Hansen released his movement-defining book Young, Restless, Reformed: A Journalist’s Journey with the New Calvinists (Crossway, 2008). Traveling to destinations like the Passion conference in Atlanta, Bethlehem Baptist Church in Minneapolis, Southern Seminary in Louisville, and Mars Hill Church in Seattle, he sought to tell the stories of young people discovering Reformed theology. (Hansen, now editorial director for The Gospel Coalition, has since reflected on the book and the movement here, here, and here.) One year earlier in 2007, Mark Dever proposed in a series of blog posts 10 factors that sparked this resurrection of Reformed theology among younger American evangelicals.

Now six years later, the “young, restless, Reformed” movement has only grown. The fact you’re presently reading The Gospel Coalition blog, which didn’t exist as recently as 2009, offers additional evidence. Last week, Dever dusted off his 2007 series and delivered it, with a few changes, as an hour-long lecture at Capitol Hill Baptist Church in Washington, D.C. “If there were so few self-conscious Calvinists in the 1950s,” the pastor-historian asks, “how did we get so many today?” In what follows I offer a taste of his non-exhaustive, roughly chronological attempt to answer that question—12 sources God has used to reinvigorate Reformed theology in this generation.

1. Charles Spurgeon

Dever likens the 19th-century Baptist preacher to an underground aquifer “bringing the nutrients of early generations to those after him.” Surprisingly, though, the “aquifers who brought Spurgeon to us” were countless 20th-century pastors—many of them anti-Calvinists—who enthusiastically commended his sermons. “If you keep being told to buy Spurgeon, eventually you’ll read Spurgeon,” Dever says. “And if you read Spurgeon, you’ll never be able to believe the charge that all Calvinists are hyper-Calvinists and cannot do evangelism or missions.” Indeed, the Prince of Preachers seemed about “as healthy and balanced as a Bible-believing Christian could be.” It’s an irony of history that many of the ministers who “now decry what young Calvinists believe are the ones who recommended Spurgeon to them.”

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How the New Christian Left Is Twisting the Gospel

Chelsen Vicari says believers are desperate for acceptance in a fallen world.

Peek behind the curtain of some “progressive” or “hip” evangelical churches, past the savvy technology and secular music, and you will find more than just a contemporary worship service. You’ll find faith leaders encouraging young evangelicals to trade in their Christian convictions for a gospel filled with compromise. They’re slowly attempting to give evangelicalism an “update”—and the change is not for the good.

It’s painful for me to admit, but we can no longer rest carefree in our evangelical identity—because it is changing. No doubt you have seen the headlines declaring that evangelicalism is doomed because evangelical kids are leaving the faith. It is no secret that there is an expanding gulf between traditional Christian teachings and contemporary moral values. But the sad truth is that the ideological gulf between America’s evangelical grown-ups and their kids, aka the “millennials,” seems to be widening too.

Somehow the blame for this chasm is being heaped on traditional churches. They are accused of having too many rules as well as being homophobic and bigoted. Yes, we’ve heard those false claims from popular culture in its desperate attempt to keep Christianity imprisoned within the sanctuary walls. But now popular culture is being aided by Christ-professing bedfellows whose message to “coexist,” “tolerate” and “keep out of it” is more marketable to the rising generation of evangelicals.

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Ed Cash Leaves the Gathering, Citing ‘Troubling Allegations’

Christian songwriter and producer Ed Cash, best known as co-writer of the worship hit “How Great is Our God,” has cut ties with controversial pastor Wayne Jolley.

For the past decade, Cash was a key member of the Gathering International, a small congregation that meets in Jolley’s home. He’s led worship for the group, donated funds to Jolley’s ministry, and acted as one of Jolley’s chief lieutenants.

Cash and his brother, Scott, announced Wednesday, December 30, that they were leaving the Gathering after Jolley was accused of spiritual and sexual abuse. CT reported on concerns about Jolley’s conduct, theology, and finances earlier this month.

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10 Reasons Why Birds Love to Travel

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Top 10 CCLI for week ending 1/2/16

1 Good Good Father
Anthony Brown, Pat Barrett

2 10000 Reasons (Bless The Lord)
Jonas Myrin, Matt Redman

3 Holy Spirit
Bryan Torwalt, Katie Torwalt

4 This Is Amazing Grace
Jeremy Riddle, Josh Farro, Phil Wickham

5 How Great Is Our God
Chris Tomlin, Jesse Reeves, Ed Cash

6 Lord I Need You
Christy Nockels, Daniel Carson, Jesse Reeves, Kristian Stanfill, Matt Maher

7 Great Are You Lord
David Leonard, Jason Ingram, Leslie Jordan

8 Cornerstone
Edward Mote, Eric Liljero, Jonas Myrin, Reuben Morgan, William Batchelder Bradbury

9 Amazing Grace (My Chains Are Gone)
Chris Tomlin, Louie Giglio, John Newton

10 Oceans (Where Feet May Fail)
Joel Houston, Matt Crocker, Salomon Ligthelm

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