An Evangelical Looks at Pope Benedict XVI

Russell D. Moore, Dean of the School of Theology and Senior Vice President for Academic Administration at The Southern Baptist Theological Seminary, talks about the Pope’s resignation:

With Pope Benedict XVI’s shocking resignation this morning, evangelical Christians might be tempted to see this the way a college football fan might view the departure of his rival team’s head coach. But the global stakes are much, much higher. As Pope Benedict steps down, I think it’s important for us to recognize the legacy of the last two bishops of Rome that we ought to honor and conserve: an emphasis on human dignity.

As a Baptist Christian, I disagree with Rome on many things, of course, and some of those things relate to the nature of the Petrine ministry, the relationship of the Bishop of Rome to the rest of the church, the merging of civil and ecclesial power, and so on. It might surprise previous generations of Protestants, though, that one of the primary emphases of the Vatican in the last generation has been on the dignity and liberty of the human person. Continue reading.

Church Trip: New England

I spent last weekend in New Hampshire with Randall Bayne, Billy Petty and the Toby Walters Band promoting the National Praise and Worship Institute and had the chance to meet worship leaders from the area.

I’ve always heard the New England area is religiously dead. Much like Olde England across the pond, New England has grand but empty historic churches. One person told me of a beautiful Congregational Church with only five members – the building is maintained by a sizeable historic endowment. I also heard that only 2-5% of the population attends church.

The last time I visited London a few years ago I was surprised to see thousands of people attending the Hillsong Church meeting at the Dominion Theatre. And similarly in New England contemporary churches are popping up and drawing crowds.

One such church is Manchester Christian Church in Manchester, NH. They’re running about 2800 between 3 campuses – an amazing size for that area. The church is built on the typical megachurch format of relevant messages and contemporary music.

Worship Pastor Dan King was in the corporate world and felt the call to ministry a few years ago. Over fifty worship ministry volunteers attended a Friday night dinner and fellowship time where Billy Petty and I discussed worship trends, Randall Bayne spoke about the Institute and Dan introduced a few new songs the team would be learning in upcoming weeks. (By the way, a quarterly fellowship gathering for your worship team is a great idea to build community and let your team worship together.)

Dan gets the WorshipIdeas Official Praise Set Stamp of Approval – his sets contain a little bit of everything to engage all ages – new songs I’d never heard, hymns and older praise songs familiar to anyone who has attended church over the past ten years. Here are the songs I heard Sunday morning:

Opening set:
How Great Thou Art
How Great Is Our God (Tomlin)
Jesus Lord of Wonder (Wickham)

Sermon

Communion:
To the Cross (Baloche)
Dan sang this alone with piano – a great Communion song.

Closing song:
You Alone Can Rescue (Redman)

How interesting (and sad) that the cradle of American Christianity has ended up being a bastion of liberalism and apathy – let’s cheer on those churches who are bringing revival to New England.

Take a virtual tour of Manchester Christian Church:

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7 Crucial Tips For Background Vocalists

Here are seven tips for background vocalists that I’ve learned through years of singing in worship teams and bands. Although my advice is specific to church worship ministries, most of it applies to anyone who sings background vocals (BGV).

1) Allow the lead vocalist to sing the first verse alone…

…so that the congregation can clearly hear the melody. This is for the benefit of any member of your congregation who might be unfamiliar with the song. If the song is entirely new to the congregation, also allow the lead vocalist to sing the first chorus alone. But if the song is familiar to your congregation, it’s not as critical to let the main vocalist sing the chorus solo. The congregation will likely be singing more robustly on a familiar chorus, which will aid any visitors who might not be familiar with the song.

2) Make sure your harmonic singing is in sync with the lead vocalist.

During rehearsal, pay attention to the specific way they are singing the lyrical phrases and do your best to match the timing. Let them lead the song.

Continue reading.

Sorrowful Worship Songs?

Tom Lawson on the lack of sad worship songs:

I really would like to hear some sorry church music this coming Sunday. Honestly. But, chances are, since I’m going to be in the worship service of an Bible-believing Evangelical church, I won’t. What a shame.

What I will hear will vary slightly depending on whether or not it is a contemporary worship service (which is most likely) or a traditional worship service (I’m probably in a small church) or a mixture. If it is contemporary, it will be dominated by songs praising how wonderful God is and how much I long to experience Him more deeply. If it is a traditional service, it will be dominated by testimonial gospel songs about how great it is to be saved and how we can’t wait to get to heaven.

There’s nothing wrong with songs of praise or testimony or seeking a deeper relationship with Jesus. I would really sound like an odd person if I said something like, “I’m tired of singing songs of praise.”

Well, I am. Both. I am an odd person and I am tired of the steady stream of praise music. How could there be anything wrong with filling up a Sunday gathering with songs of praise? That is what this blog post is all about.

Continue reading.

Tips for Paying Musicians

Stephen M. Newman on paying musicians:

Several things to look at when considering whether or not to hire musicians for worship:

1) What is the individual’s motivation for serving? If it’s for a paycheck, you probably won’t get what you need from them. You may get great music, but the dynamic of the team will never gel when one of your key players is there only for the money.

2) Set your own criteria for anyone coming in who play or sing in a paid position. Even though it’s easier to control a paid player, the sense of unity will be lacking if everyone is not held accountable by the same rules and expectations. Also, hiring those who are not believers for the long haul can bring done the worship experience in your church. We have to remember that worship is for the believer.

Continue reading.

Musical Groove

Does your praise band groove? Growing up classically, I never knew what groove was until I became involved with contemporary worship and was a part of a praise band.

Groove is a mysterious and exciting feel that happens when the band is all playing together at their best and in sync. It’s hard to describe, but you know it when you achieve it.

The foundation of groove is the foundation of a band: drums, bass and a mid-range part (like keyboard, electric or acoustic guitar.) You must have these three elements like a stool must have three legs. You can add additional players, but more on that later.

I’ll never forget the first time I experienced groove – I had been at my church about 2 years and one Sunday morning everything came together – the feel of the band was so exciting it almost took my breath away. I never experienced that with classical music!

Up until that time I was struggling to find musicians every Sunday – the musical chairs approach to a praise band. But finally I found players that could provide a steady 3-pronged groove foundation (in other words, they could be counted on to show up every week!)

You can, of course, have wonderful worship without groove (God isn’t dependent on us) but it sure doesn’t hurt, either. Why not go for the gold and sound the best you can? I’ve often had a warm glow after church and the rest of Sunday afternoon, just basking in how “right” the music felt – groove sticks with you! Groove will also get people talking about your band.

Groove doesn’t appear on command, but there are a few things I’ve discovered that help prime the pump:

1. Don’t continually switch musicians. Groove is partially dependent on musicians trusting one another and anticipating one another. This only comes by being familiar with each other’s playing. Keep the same musicians together in your band. If you have extra musicians don’t try to rotate them in – form a second band that can rehearse separately.

2. Rehearse. Don’t expect to groove if your band shows up 20 minutes before church to “rehearse.” They’ll be hanging on for dear life, let alone trying to feel the music. If they can’t come to rehearsal, they can’t play in church.

3. One weak musician can destroy an entire band of competent musicians. I had several solid players in my band, but have from time to time added less than perfect players (by saying “less than perfect” I’m being kind – I’m talking about players who have trouble staying in the same key as the rest of the band!) Groove starts showing up when musicians can get beyond trying to figure out the right notes and chords and start playing effortlessly from the heart.

Add additional musicians carefully. When you’ve developed a basic praise band that grooves, be >very< picky about who you let join – the wrong person can disrupt the continuity.

4. You don’t necessarily need top studio musicians. Musicians who can competently play their instrument can together create groove. You’d be surprised at how musically incompetent many of the top secular rock bands are – they’ve simply played their own material so many times and know it so well they sound spectacular. A well-rehearsed praise band with average players can also sound spectacular in time. Think of it this way: a typical church only sings so many praise songs. After a few months the average band will know these songs by heart, and be able to play them from the heart.

>Bottom Line: What can you do to make your praise band groove?

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