Top 10 CCLI for week ending 06-25-11

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1 Our God
Matt Redman, Chris Tomlin, Jonas Myrin, Jesse Reeves
Vamos Publishing/Said And Done Music/Thankyou Music/worshiptogether.com songs/SHOUT! Publishing/sixsteps Music
2 Mighty To Save
Ben Fielding, Reuben Morgan
Hillsong Publishing
3 How Great Is Our God
Chris Tomlin, Jesse Reeves, Ed Cash
worshiptogether.com songs/sixsteps Music/Alletrop Music
4 Revelation Song
Jennie Lee Riddle
Gateway Create Publishing
5 Blessed Be Your Name
Beth Redman, Matt Redman
Thankyou Music
6 How He Loves
John Mark McMillan
Integrity’s Hosanna! Music
7 Amazing Grace (My Chains Are Gone)
Chris Tomlin, Louie Giglio, John Newton
Vamos Publishing/worshiptogether.com songs/sixsteps Music
8 From The Inside Out
Joel Houston
Hillsong Publishing
9 Here I Am To Worship
Tim Hughes
Thankyou Music
10 Everlasting God
Brenton Brown, Ken Riley
Thankyou Music

Oprah and Jesus?

Scott Williams from ChurchLeaders.com gives an optimistic view of Oprah’s Jesus comment from her show’s final episode. Especially interesting are all the hate comments at the end of the article. God forbid Oprah shows any sign of embracing Christianity! Read more.

Integrity Media Shrinking As It Sells Divisions

Signs that a major transition was looming for Mobile-based Integrity Media were confirmed Monday, when the company announced that it was selling off divisions in a move that will cut its local work force in half.

The company’s co-founder and CEO, P. Michael Coleman, was somber as he described “a difficult series of decisions” for the Christian music and publishing enterprise.

“What we’ve done is sold the two divisions that were in the recorded music and song-publishing space,” he said.

The deal that will have the greatest local impact is the sale of the Integrity Music division to David C Cook, a Colorado-based nonprofit ministry. Continue reading.

Mars Hill: Worship That Fits Your Culture

Last week I was in Seattle hanging out with PraiseCharts.com’s Ryan Dhal. We had the chance to visit the famous Mars Hill Church pastored by Mark Driscoll.

This church is a prime example of a ministry reaching their culture if I’ve ever seen it.

Seattle’s reputation as being an emo and moody place seemed quite accurate to me. It was the birthplace of the early 90’s alternative music scene made famous by the supergroup Nirvana. Out in public I saw quite a few emo, pale and hoodied teenagers running around (one guy in particular was so unbelievably ghostly white I did a double take – must be the lack of sunlight.) Also in abundance were what my parents would call “hippies.”

So how do you reach the northwest culture? If Pastor Bubba from Pickens, SC moved to Seattle to plant a church I doubt he’d be very successful, and a Seattle church planter would be baffled by the Pickens religious culture. You have to adapt. And Mars Hill has certainly adapted.

A few years ago I was hyped up on Dan Kimball’s book The Emerging Church and Mars Hill is a textbook case study in these ways:

Atmosphere: The room had dimmed lights, no windows and dark walls. The stage was minimalistic and distressed (torn edges, rough textures.) See the stage in their video.

Sermon: Mark simply proclaimed Biblical truth in his sermon “Jesus Gives Sight to the Blind.” This was no watered-down message. From the look of the other titles on the website, I’d guess his other sermons follow the same structure – teaching about Jesus and unpacking doctrines (I don’t think he’s one to speak on balancing your checkbook or how to get along with your co-workers.)

This is probably what an unchurched Seattlian needs to hear – the solid truth of the Scriptures and Jesus dynamically explained to a culture who doesn’t believe in absolute truth.

Worship: Worship pastor Joel Brown leads the most crazy-good, alternative and tight 4 piece worship band you’d ever want to hear. I haven’t heard this much passion in a band’s playing in a long time. This is my third visit to Mars Hill over the past few years, and from what I can tell, one of their signatures is to take an old, old praise song and completely redo it in a minor key.

Last time I visited I heard a dark, minor key version of the old chestnut There Is a Redeemer. This time it was Twila’s Lamb of God. You absolutely would not recognize the song except for the melody and lyrics – it wouldn’t fly in Pickens but it was really creative and I thoroughly enjoyed it. They also did rocking, clever and (of course) minor key versions of a few hymns. I doubt you’d ever hear Tomlin at this church, at least until the year 2024 when Our God will officially be labeled an “old chestnut.”

Every time I’ve visited Mars Hill they’ve had communion so I assume it’s a weekly occurrence. Everyone walks to a station and dips a piece of bread into either a wine cup or a juice cup while the band leads.

I’m excited to see a church like Mars Hill making a dent in their culture. They’ve even planted several satellite campuses in the surrounding area.

Bottom Line: Struggling with church attendance? Biblical truth must be proclaimed, but maybe your church personality runs counter to your surrounding culture.

Photos from Mars Hill:

Writing A Song

Last week I had the pleasure of songwriting with one of the most prolific writers in Christian music – Chris Eaton. Chris has had songs recorded by many top Christian artist as well as secular artists like Janet Jackson and Keith Urban. You probably sing one of his most popular songs every Christmas: Breath of Heaven. See his extensive song catalog at his website.

The guy is a songwriting genius and I learned more from him in two hours than I have in the past two years. For those of you interested in songwriting, here are some of the steps we took to create our new song Most Holy One which you can hear at the end of this article.

First, we chatted about music for about an hour. Even though he’s had both secular and CCM hits, his heart is worship music – especially the modern hymn genre made popular by Keith and Kristyn Getty’s In Christ Alone. I also love those deeper, richer worship songs so we decided we’d try to write one.

Chris and I both compose at the keyboard so we took turns. He started improvising and came up with a rough chord structure and melody. As the song took shape it appeared like we had a chorus so next we started on the verse. I sat down at the keyboard and felt like the first phrase of the verse needed repeating. We debated this for a few minutes.

Once we came to a consensus on the basic format of the music for the verse and chorus, Chris again sat down at the keyboard and lyrics started to flow. We’d kind of hum the melody and words would pop out here and there. Soon the chorus took shape:

Most Holy One,
Your will be done,
My precious Jesus, my Savior, I come.

With the chorus complete it was easier to decide what the verses should say. The idea of “wilderness” came up and formed the basis for the first verse. Halfway through the verse we decided we liked the one word phrases of “softly” and “tenderly” and wanted to do something similar and parallel with the other verses.

At one point a line was in question. I don’t remember it, but it was simplistic and Chris said it sounded “cheap.” I asked what he meant by that and he said the phrase was too common and overused. In a minute he came up with a line that had a slight twist and was stronger. When songwriting, always push a little harder to make every line fresh.

The third verse originally had more of a heaven theme but we decided it didn’t feel right. The first two verses start with a focus on what Jesus does for us and the third is our response.

So that’s how songwriting goes with a master songwriter. Words and phrases pop out, jell, rhymes and lines are discussed and in two hours you have a new, modern hymn. I’ve never seen a songwriter explode with such great ideas as Chris did, and so quickly. I honestly just felt like I was along for the ride.

Right before Chris recorded the demo we debated the word “truth.” You’d expect to hear the phrase “comfort and peace,” which we discussed, but… truth? We decided it did, in fact, make sense – Jesus whispers comfort to us in trying times, but He also whispers the truth that He is God and is in control. Unexpected twists like that makes for stronger songwriting.

When we agreed the song was complete Chris recorded a simple piano track, sang a quick vocal (he’s also a fine vocalist and has sung BGVs on numerous recordings as well as his own solo projects) and we had a rough demo.

Please leave your comments below – let me know if you like the song and I’ll take the next step by creating chord charts, sheet music and a fully produced demo.

Hear it:

[dewplayer:https://worshipideas1.wpengine.com/music/MostHolyOne_PianoVocalDemo.mp3]

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