Lengthy Lead Sheets

I was talking to a music director about chord charts. He mentioned how his bass player was playing from some kind of bass guitar hymnal supplement. I remember those from years ago when I used hymnal orchestrations. Some orchestration hymnal editions actually have a specific book for bass guitar that has notes. When was the last time you had a bass player who reads notes?

Some churches are still using complex, pages-long rhythm charts. A drummer friend of mine was telling me about a Texas megachurch where he used to play. He’d cringe when they’d regularly hand out 8 page charts – the page turns killed him.

At a recent megachurch visit I noticed each player in their band had a mammoth music stand with lights – complete with those add-on thingies that further extend the stand, which, of course, holds those 8 page charts. I don’t know about you, but I think I’d rather have a praise band look more like a real band as much as possible, and less like the Tonight Show studio band. I’d prefer a praise band to be free, singing along and moving (worshipping, even!) – not glued to their music stand.

Ginormous rhythm charts are fine for the occasional complex tune (for instance, more elaborate pieces like my Resurrection Overture and Christmas Concerto) but they’re unnecessary for 95% of the praise songs and contemporary hymn arrangements in the current contemporary worship repertoire.

A good praise song chord chart is on 1 page… 2 pages in a few cases. You only really need to notate the “meat” of the song – the intro, midtros, a verse, a chorus, maybe a bridge. Then, once these parts are learned, they can be easily referred to when the worship leader spontaneously decides to repeat a chorus or verse.

Many church pianists need the notes and pages, but that’s another article on improvisation.

If your band suffers from note-itis, it’s time to start weaning them away from the pages and into chord charts. Start them off easy. If they’re used to lengthy lead sheets, try substituting a simple chord chart for just one song, preferably one they already know. Rinse and repeat. Before long your band will be avoiding problematic page turns and preserving wood pulp to boot.

What Would Walt Do?

Forty years before the “What Would Jesus Do” fad, Disney executives were asking “What Would Walt Do?”

I’ve been hanging out this week with an old engineer friend of mine in Orlando who’s teaching me ProTools (I’m thinking of switching from Sonar – a topic for an upcoming article.)

Whenever I’m in Orlando I enjoy taking Disney backstage tours. I’m fascinated with any person who’s built an empire and I always learn something valuable from a behind the scenes look at this amazing company.

I took the “Inspiration: Through Walt’s Eyes” tour which tells about Walt’s humble beginnings in the Midwest, his many career defeats that would have sidelined a lesser man, and the unbelievable growth of the Disney company into the cultural force it is today. All this was started from Mickey Mouse, a character created by a dejected Walt on a train ride home after his wildly popular Oswald the Rabbit character was ripped from his ownership by the evil Universal studios. (Last year Disney finally bought back the rights to Oswald and he’s made his first appearance in decades in a new Disney video game.)

At one point the tour guide said “Walt’s vision for the company was to have one foot firmly planted in tradition while having the other foot firmly planted in the future and innovation.” I nearly Laughed Out Loud – that was a lesson for churches if I’ve ever heard one,

Problem is, many churches are operating in one of these extremes or the other. I heard about one evangelical church the other day who, in 2011, staunchly sings only hymns and classics – and by classics I’m talking Bach and songs in Latin. Can you seriously imagine an evangelical church these days singing Latin? Both feet here are firmly planted in tradition. (It’s not a small church, either. Remember that cranky old lady who tried to get you fired because the drums are too loud and you sing those repetitive praise songs? She probably goes to this church along with hundreds of other disgruntled traditionalists.)

Then you have the cool and hip Rob Bell, mega church pastor and star of the popular NOOMA videos, who has been in a swirl of controversy this past week regarding his apparent lapse into Universalism. If this turns out to be true (his upcoming book will tell the full story,) then his feet are firmly planted in the future and innovation – and he’s innovated his way right out of historic Christianity. The seeker driven churches who perform a steady diet of secular top forty songs and preach from the Reader’s Digest also come to mind.

Let’s take Walt’s advice – what would having one foot in tradition and one foot in the future look like for your church?

Memorize Your Music

The first time I played in the band at NewSpring Church I found that they want you to play from memory. I’ve always been used to playing with charts, but since I had to memorize about a million notes for my senior piano recital many years ago I figured I was a big enough boy to handle it.

Why should you try to play your worship set from memory? Two reasons: musical and spiritual. With your mind free from the concentration required to read a chart you’re able to play more musically and you’re able to worship. Besides, praise and worship music is not brain surgery. You can do this!

There are two methods I use that have made memorization surprisingly pain free. I was happy to find that playing from memory takes very little extra preparation – you just have to >think< a little more when you’re rehearsing.

1. Analyze the music. Instead of mindlessly playing notes during rehearsal, I think about what I’m playing. How many verses are in the song? How many choruses? What’s the key? What’s the chord structure? How long is the intro? If you simply try to memorize a series of notes you’ll never do it. Instead, analyze the song by grouping all of those notes into bite-sized sections: intro, verse, chorus, midtro, bridge and ending.

As I play the song, I think of it as being broken up into these different sections. I’m thinking “okay, I’m on the first verse, now the chorus, now the midtro… etc.”

When you combine the analysis with the feel you’ll be surprised at how easy it is to play from memory. The two methods prop each other up. For instance, here’s how I prepare for rehearsal. We’ll either be given CDs for the upcoming Sunday’s music, I’ll download the songs or listen to them from a worship planning website. I’ll have fun playing through the music using the chart, often playing along with the recording. This is the “feel” – I’m getting a natural, emotional sense of the song. This takes very little time and the pre-preparation makes rehearsals so much more profitable for everyone.

Then, at rehearsal, we’ll work out exactly how we’re going to do the song. Maybe we’ll repeat the chorus again. Maybe we’ll shorten the bridge. This is where we’re analyzing the song – deciding the format of how many verses, choruses and repeats we’ll be doing. At NewSpring they get more elaborate – they’ll practice a song a few times and get their format down, record the song, then move on to the next song. At the end of rehearsal each band member gets a freshly burned CD to take home, or can listen to the songs on a worship planning website.

When I combine the feel of the song (emotional) with the analysis of the song I can play it quite easily from memory. I’ll “hear” the song in my head and naturally play it. If I lose my place for some reason I have the analysis to back it up. Maybe it’s kind of like Paul said in I Corinthians 14:15. I’ll change “pray” to “play:”

“I will play with the spirit, and I will play with the understanding also.”

2. Practice before bed. The “Four Hour Workweek” is one of my favorite books. Author Tim Ferris calls himself a “lifehacker” – he likes to find quick, maximized shortcuts to success in any field. On his TV special he talked about training to be a Japanese horseback archer. He’d practice his moves right before going to bed and a night’s rest ingrained this practice into his mind.

So every Saturday night before bed I run through the following Sunday’s music. I’ve been pleased at how well this has helped my playing from memory on Sunday morning. If you’re struggling with memorization, maybe another practice-before-bed session or two would help even more.

Then on Sunday morning I’ll keep a setlist on the top of the keyboard with a list of songs and keys to keep me straight.

Give memorization a try this week. If it’s too much, try memorizing just one song this week, two next week and three the next. Soon you’ll be familiar with your song repertoire and be chartless in no time.

Take a Seat

Often, as worship leaders, we get so wrapped up in the minutiae of the job – charts, schedules, planning, tech and everything else – we lose sight of the big picture.

When I was working at a megachurch, involved in the weekly worship grind, I once had a rare Sunday off where I got to sit in the congregation.

What a different perspective! From the congregation I could see the whole package – graphics, video, lighting, sound, choir, worship leader and band. Each group had been working to improve over the past two years and I saw the results of their labor – a wonderful worship time that was more than a performance. God showed up and you could really feel the congregation being pulled into the spirit of praise.

This is important. Without evaluation, no one or no organization can improve. If possible, take a Sunday off and attend your church like anyone else would. You’ll gain a healthy sense of accomplishment for what’s going right and you’ll be able to identify what needs work. If you feel you can’t be off one Sunday without things falling apart, have a trusted member of your team sit in the congregation and give you a report of their impressions.

Does Good Music = Growth?

I used to think that really good music grows a church. Get the hottest band and singers in town and the people will come.

I don’t think that anymore.

I love to visit churches to see what they’re doing. I’ve been to huge megachurches with thousands of people and so-so, bland music. I’ve been to tiny, struggling churches with superb, cutting edge-music.

Great music, huge churches. Lousy music, huge churches.

Small churches, great music. Small churches, lousy music.

Great music sure won’t hurt a church, but my worship algorithms are telling me that it ISN’T the music that’s primarily growing churches: it’s the preaching.

If the preacher is theoretical, boring, irrelevant and clinical, the hottest music in town isn’t going to help draw a crowd.

If the preacher is relevant, personable and preaching on spiritual issues that matter to the common man, the lousiest music in the world won’t keep the throngs away. They’ll put up with anything to hear the Word speak into their lives (or sip coffee in the church coffeeshop until the music is over, then enter the auditorium for the sermon. Yes, this does happen!)

The quality of the music certainly does help once good preaching is in place. I can think of one megachurch that plateaued at a few thousand with a fantastic preacher and lousy music. With a new music director and a big change in the quality of music, the church has started growing again and has nearly doubled in size.

If music doesn’t grow a church then what effect does it have on a church? Your music style will attract a certain style of crowd. It’s no different from a radio station. Think of the different crowds associated with these music styles: Country. Heavy Metal. Classical. Can you picture what someone looks like who would listen to each style? How about: Cowboy hats. Long hair and tattoos. Suit & tie.

I see blended, orchestral churches attracting a “churchy” bunch in suits & ties and Sunday dresses.

Churches with cool rock bands and cutting-edge music are attracting the 20-30s.

What kind of crowd does your church attract? Who do you want to attract?

Top 10 CCLI for week ending 01-22-2011

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1 Our God
Matt Redman, Chris Tomlin, Jonas Myrin, Jesse Reeves
Vamos Publishing/Said And Done Music/Thankyou Music/worshiptogether.com songs/SHOUT! Publishing/sixsteps Music
2 Mighty To Save
Ben Fielding, Reuben Morgan
Hillsong Publishing
3 How Great Is Our God
Chris Tomlin, Jesse Reeves, Ed Cash
worshiptogether.com songs/sixsteps Music/Alletrop Music
4 Revelation Song
Jennie Lee Riddle
Gateway Create Publishing
5 Blessed Be Your Name
Beth Redman, Matt Redman
Thankyou Music
6 How He Loves
John Mark McMillan
Integrity’s Hosanna! Music
7 Everlasting God
Brenton Brown, Ken Riley
Thankyou Music
8 Amazing Grace (My Chains Are Gone)
Chris Tomlin, Louie Giglio, John Newton
Vamos Publishing/worshiptogether.com songs/sixsteps Music
9 I Will Follow
Reuben Morgan, Chris Tomlin, Jason Ingram
Vamos Publishing/Sony/ATV Timber Publishing/worshiptogether.com songs/SHOUT! Publishing/sixsteps Music
10 Here I Am To Worship
Tim Hughes
Thankyou Music

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