Tips for Smoother Worship

It’s 2010 and nearly every church (except for the die-hard traditionalists) has jumped on the contemporary worship bandwagon. Some do it better than others – here are 3 tips that separate the sheep from the goats:

1. Plan ahead. I can’t believe it when I hear of praise teams that meet thirty minutes before the service and throw together a song set.

A well known worship leader states that he never plans his worship song set. Rather, he has a list of all the songs his congregation knows, and he keeps this list on his music stand during worship to jog his memory. Then he lets the Spirit move.

While there’s nothing wrong with this free-flowing method, I’m sure a worship leader of his stature can attract the finest musicians in the area. Frankly, you’d need top musicians to pull off a service like this – musicians who know the songs by heart or can sight-read a chart perfectly. Pretty unrealistic for you and me, unless you want to lead worship all by yourself – strumming your guitar or accompanying yourself on the keyboard.

Remember, the more you plan, the more people can be involved. Flying by the seat of your pants (or skirt) can often result in a musical train wreck. Multiple train wrecks tend to make people in the congregation think you don’t know what you’re doing. If the service isn’t worth planning, maybe it isn’t worth attending.

Planning ahead gives you time to work out your praise set like a puzzle, fitting songs together in a perfect flow. It also makes your rehearsals more efficient.

Use one of the many online planning websites to schedule your worship team. Have your songs charted and online so your musicians can at least be familiar with the music before rehearsal

2. Rehearse. I’m also surprised at the number of churches that don’t have a rehearsal! Rehearsals give you time to prepare both musically and spiritually for the coming Sunday.

If you’re doing the praise team thing with 3-6 vocalists, I recommend having a separate vocal and band rehearsal. Each group has their own problems, and I’d rather concentrate on one group at a time. Then, put the whole thing together during your pre-service run-through (you do have a pre-service run-through, don’t you? If not, skip to #3, quick!) If you have just a worship leader and a background vocalist with a good ear for parts, let them rehearse with the band.

If you’re not used to rehearsals, your musicians will balk at the suggestion (when I took over the music of a 200 member church they had no rehearsals and a few members of the band quit when we began rehearsing. God sent me new musicians who were far better and committed) Rehearsals are a must if you want to succeed with a quality worship service, so don’t back down. However, people need to know your reasoning if you expect them to give you their valuable time.

Try making a deal with your musicians. First tell them your strategy: that you believe rehearsing will only improve the music and bring about a better worship experience for the congregation. Careless goof-ups distract people from connecting with God, whereas smooth transitions help usher them into His presence. Ask them if they’ll try rehearsing for a month. When they see the positive results – better blend and a tighter band – they’ll be more apt to become committed team members.

3. Run-Throughs. I have so much to say about this one it’ll have to wait until next week…

>Bottom Line: Pray and prepare for best contemporary worship results.

Robeless Choirs

Choir robes were no doubt invented to give a unified look to the group. Hundreds of years ago highly decorated robes with elaborate stitching added pomp and ceremony to liturgy.

If you’re ministering in an ornate, stately First Baptist-type church, choir robes no doubt approriately fit the bill. However, if you’re going the pop praise choir route, robes might seem out of place. But if the choir simply wears their Sunday best to sing, the group can look disorganized.

Take a look at the above video to see how the Brookwood praise choir solves the problem. A color scheme is chosen by choir ladies with good taste and color swatches are given to the choir members. The solution can be as expensive or inexpensive as the choir member wants – matching clothes might just be in the closet and a color blind bass can always go with the default black. Scarves and other matching accessories can be thrown in for variety.

Even if robes are your choir’s default look, you might want to try this method for a unique look on special Sundays like Christmas and Easter.

Earliest American Church

Last weekend I was in Jamestown (the first permanent English settlement) and saw a huge building – a church! The settlers were instructed to initially construct 3 public buildings inside the fort: a storehouse, a guardhouse and a church, so religion was very important to these people.

I took my new Kodak Zi8 mini HD video recorder with me just in case I saw something interesting. I was with CBN News producer Tracy Winborn – she shot my video introduction as well as helped produce the clip. It even ended up on CBN News last week.

Choir Rock Band

Steve Smith from WorshipIdeas.com talks to Brookwood Church choir director Joe Wood about making choir rehearsal a fun experience.

My New Recording Studio

A few weeks ago I wrote about how your ministry might benefit from recording. Read the article and watch a video. This week I’ll give you a tour of my home studio and give you some ideas of equipment to be using.

When I first started HymnCharts.com several years ago I figured it would just be a sheet music website – everybody knows the hymns, right? Wrong – I was shocked when I threw my new version of the Thanksgiving hymn “Come, Ye Thankful People, Come” at the praise team and they looked at me with blank stares. None of them knew it!

At that point I realized I had to start recording my arrangements. I decided a long time ago I didn’t want to get into recording – just writing and arranging – but technology has changed so much in very recent years that I decided to reexamine the issue.

My main objection to recording was simply cost: I couldn’t afford a decent studio. I remember a well-equiped home studio I went to in Nashville during the mid ’90s that had several compressor, eq and other effects boxes – one for every channel, and all very expensive.

But now, with everything on computer, what would have cost tens of thousands of dollars in 1995 only costs a few hundred in 2009! So I got a computer and loaded Sonar as my recording software.

To interface with the computer and record vocals and guitars I had an Emu 0404 USB 2 Audio/MIDI Interface. But, being an inexpensive interface, it didn’t have the internal guts to handle heavy vocal usage – louder vocalists would overdrive the circuits resulting in distortion.

Also, I had switched gears in my home office/studio. I moved my entire business production (creating charts/sheet music/business stuff) to my laptop computer and rarely worked anymore in my office on my desktop – instead I’m working in my living room or a coffee shop. In my office/studio my music computer and keyboard were regulated to a corner of the room. I decided this summer to completely redesign my work area and make it a dedicated music studio. What I thought would take a week or two took over two months! Maybe you can avoid my headaches.

First I removed my enormous office desk and hutch. Yuck – the carpet was dirty and steam cleaning didn’t help so I went to the local carpet remnant store and got a nice blue berber (to match my HymnCharts colors.)

After measuring and more measuring I decided on a cool setup of IKEA Billy bookcases. Three trips to IKEA later I finally got it right and set them up. I kept one of my office desks and used it as the center of my workstation – my 20+ year old KX88 piano keyboard controller still works great and fits perfectly under the desk.

Once I had my basic setup designed I then started shopping for new equipment. I started looking at audio interfaces. I bought the new Lexicon I-ONIX U22 because it looked cool. Unfortunately it didn’t work so cool – it made Sonar cough and stutter. After searching online forums I discovered this seems to happening to many Sonar users and the brand new device with brand new audio drivers was the problem – basically the thing just wouldn’t work.

Next I bought an M-Audio Fast Track Ultra. More stuttering and coughing in Sonar.

Exasperated, I decided to go all out and get the near pro-grade MOTU 828mk3 FireWire Audio Interface. (Keep in mind that each new audio interface meant ripping apart my neatly tied cables behind a ginormous desk – as I laid on my back groaning, bruised and aching ribs from a nasty bike fall!) The MOTU has all kinds of bells and whistles. It’s a little bit more complicated than I care for but I’m reasonably happy with it. All this trouble and my old EMU worked without a glitch – so if I had to do it all over again, I’d try to go with a higher end EMU audio system. However, the MOTU does look lovely nestled between my new 24 inch monitors (great deal at Fry’s Electronics.)

Above my monitors sits a Monster MP PRO 2500 to plug in all my gear. Then above the Monster is the ART Pro Channel Tube Mic Preamp and Compressor with EQ. Plug a mic into the ART and it will warm up your vocals and guitars, plus control the sound so you get a good signal going into your audio interface. I’m using Event powered monitors.

I got acoustic foam to deaden the sound in my room at foamorder.com, however a Google search will find many such places – I found one site that made foam in every color imaginable.

Something often overlooked in a studio is comfort. I had a plain old office chair for years and didn’t realize how uncomfortable I was until I sat in a new (more expensive) one. Online research suggested the Herman Miller Aeron is the chair of choice in high end studios but they’re super expensive. I thought I’d get one if it truly was as comfortable as they say. Of course, you can’t find anything like that in Greenville but I found a furniture store in nearby Charlotte NC that had several used Aerons. The used, nasty and dusty Aeron was $600 and I didn’t even think it was as comfortable as a chair I tried at Office Depot. So I got the Quantum Recycled Mesh Mid-Back Task Chair from Office Depot. It’s magic and I can sit unbelievably comfortable for hours (the secret is mesh!) In fact, I just realized I’ve been sitting here for over 3 hours working on this article and haven’t moved a muscle. I also picked up two handy “Zarty” laptop desks.

More gear shown in the video:

Frontier Design AlphaTrack Control Surface
This looked cool when I bought it but it seems to lose sync with Sonar often so I don’t use it much.

Rode NT1A Vocal Condenser Microphone

Event Powered Monitors: I can’t find these online so maybe they’re out of production.

worshipideas:

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