Mars Hill: Worship That Fits Your Culture

Last week I was in Seattle hanging out with PraiseCharts.com’s Ryan Dhal. We had the chance to visit the famous Mars Hill Church pastored by Mark Driscoll.

This church is a prime example of a ministry reaching their culture if I’ve ever seen it.

Seattle’s reputation as being an emo and moody place seemed quite accurate to me. It was the birthplace of the early 90’s alternative music scene made famous by the supergroup Nirvana. Out in public I saw quite a few emo, pale and hoodied teenagers running around (one guy in particular was so unbelievably ghostly white I did a double take – must be the lack of sunlight.) Also in abundance were what my parents would call “hippies.”

So how do you reach the northwest culture? If Pastor Bubba from Pickens, SC moved to Seattle to plant a church I doubt he’d be very successful, and a Seattle church planter would be baffled by the Pickens religious culture. You have to adapt. And Mars Hill has certainly adapted.

A few years ago I was hyped up on Dan Kimball’s book The Emerging Church and Mars Hill is a textbook case study in these ways:

Atmosphere: The room had dimmed lights, no windows and dark walls. The stage was minimalistic and distressed (torn edges, rough textures.) See the stage in their video.

Sermon: Mark simply proclaimed Biblical truth in his sermon “Jesus Gives Sight to the Blind.” This was no watered-down message. From the look of the other titles on the website, I’d guess his other sermons follow the same structure – teaching about Jesus and unpacking doctrines (I don’t think he’s one to speak on balancing your checkbook or how to get along with your co-workers.)

This is probably what an unchurched Seattlian needs to hear – the solid truth of the Scriptures and Jesus dynamically explained to a culture who doesn’t believe in absolute truth.

Worship: Worship pastor Joel Brown leads the most crazy-good, alternative and tight 4 piece worship band you’d ever want to hear. I haven’t heard this much passion in a band’s playing in a long time. This is my third visit to Mars Hill over the past few years, and from what I can tell, one of their signatures is to take an old, old praise song and completely redo it in a minor key.

Last time I visited I heard a dark, minor key version of the old chestnut There Is a Redeemer. This time it was Twila’s Lamb of God. You absolutely would not recognize the song except for the melody and lyrics – it wouldn’t fly in Pickens but it was really creative and I thoroughly enjoyed it. They also did rocking, clever and (of course) minor key versions of a few hymns. I doubt you’d ever hear Tomlin at this church, at least until the year 2024 when Our God will officially be labeled an “old chestnut.”

Every time I’ve visited Mars Hill they’ve had communion so I assume it’s a weekly occurrence. Everyone walks to a station and dips a piece of bread into either a wine cup or a juice cup while the band leads.

I’m excited to see a church like Mars Hill making a dent in their culture. They’ve even planted several satellite campuses in the surrounding area.

Bottom Line: Struggling with church attendance? Biblical truth must be proclaimed, but maybe your church personality runs counter to your surrounding culture.

Photos from Mars Hill:

Writing A Song

Last week I had the pleasure of songwriting with one of the most prolific writers in Christian music – Chris Eaton. Chris has had songs recorded by many top Christian artist as well as secular artists like Janet Jackson and Keith Urban. You probably sing one of his most popular songs every Christmas: Breath of Heaven. See his extensive song catalog at his website.

The guy is a songwriting genius and I learned more from him in two hours than I have in the past two years. For those of you interested in songwriting, here are some of the steps we took to create our new song Most Holy One which you can hear at the end of this article.

First, we chatted about music for about an hour. Even though he’s had both secular and CCM hits, his heart is worship music – especially the modern hymn genre made popular by Keith and Kristyn Getty’s In Christ Alone. I also love those deeper, richer worship songs so we decided we’d try to write one.

Chris and I both compose at the keyboard so we took turns. He started improvising and came up with a rough chord structure and melody. As the song took shape it appeared like we had a chorus so next we started on the verse. I sat down at the keyboard and felt like the first phrase of the verse needed repeating. We debated this for a few minutes.

Once we came to a consensus on the basic format of the music for the verse and chorus, Chris again sat down at the keyboard and lyrics started to flow. We’d kind of hum the melody and words would pop out here and there. Soon the chorus took shape:

Most Holy One,
Your will be done,
My precious Jesus, my Savior, I come.

With the chorus complete it was easier to decide what the verses should say. The idea of “wilderness” came up and formed the basis for the first verse. Halfway through the verse we decided we liked the one word phrases of “softly” and “tenderly” and wanted to do something similar and parallel with the other verses.

At one point a line was in question. I don’t remember it, but it was simplistic and Chris said it sounded “cheap.” I asked what he meant by that and he said the phrase was too common and overused. In a minute he came up with a line that had a slight twist and was stronger. When songwriting, always push a little harder to make every line fresh.

The third verse originally had more of a heaven theme but we decided it didn’t feel right. The first two verses start with a focus on what Jesus does for us and the third is our response.

So that’s how songwriting goes with a master songwriter. Words and phrases pop out, jell, rhymes and lines are discussed and in two hours you have a new, modern hymn. I’ve never seen a songwriter explode with such great ideas as Chris did, and so quickly. I honestly just felt like I was along for the ride.

Right before Chris recorded the demo we debated the word “truth.” You’d expect to hear the phrase “comfort and peace,” which we discussed, but… truth? We decided it did, in fact, make sense – Jesus whispers comfort to us in trying times, but He also whispers the truth that He is God and is in control. Unexpected twists like that makes for stronger songwriting.

When we agreed the song was complete Chris recorded a simple piano track, sang a quick vocal (he’s also a fine vocalist and has sung BGVs on numerous recordings as well as his own solo projects) and we had a rough demo.

Please leave your comments below – let me know if you like the song and I’ll take the next step by creating chord charts, sheet music and a fully produced demo.

Hear it:

[dewplayer:https://worshipideas1.wpengine.com/music/MostHolyOne_PianoVocalDemo.mp3]

Introducing New Praise and Worship Songs

Right after Easter until the end of summer is a stress-free time for most worship leaders and a good opportunity to be teaching new songs your congregation. Here are a few guidelines to help your church quickly learn new tunes:

1. Introduce no more than one new song per week.

As worship leaders, we can get so excited about new music that before we know it our entire praise set is made up of nothing but new songs! Don’t let this happen — your congregation will overload.

I was visiting a big church in Dallas (aren’t they all big) and was enjoying the praise set but wasn’t really worshiping. As I thought about why, I realized I didn’t know any of the songs and my mind was occupied with the new melodies. Then the worship leader started on a popular worship tune I knew and I started to praise.

People worship with songs they know. It takes concentration to learn anything new, and that learning process can preempt the brain from going into worship mode. When the song is known the brain is freed from the learning process and can worship.

2. Use a new song in the middle or end of a praise set.

I’ve found congregations respond best to new music after they’ve had a chance to worship with songs they know and love. However, using an upbeat new song to open your service works well as a call to worship – people are settling in anyway as thy arrive. Follow the call to worship with announcements or a Scripture reading then launch into your set.

Try introducing a new worship ballad as a response to your praise set. For instance, a few years ago I introduced “I Give You My Heart” following a praise set that ended with the hymn “I Surrender All.” The entire morning’s music had a theme of consecration and “I Give You My Heart” was a perfect end to the worship.

3. Introduce a new song as special music.

Have a soloist sing the new song as an offertory special, and have the congregation join in on the last chorus.

4. Repeat, repeat, repeat.

Use the new song three weeks in a row — the first week is the introduction, the second and third weeks are
reinforcement. Then, skip a week and try the song again on the fifth week to see if it has caught on.

>Bottom Line: Keep your worship fresh with new material.

Does Your Congregation Sing?

A church in the suburbs has remodeled a majestic, historic Civil War-era church in downtown Greenville, SC and planted a satellite ministry there. I visited last Sunday and heard something I haven’t heard in a long time: a congregation actually singing.

The place was packed and their worship setup was simple: a male worship leader with acoustic guitar, female backup singer, keyboard and djembe. I’d imagine a full band wouldn’t work so well in the reverberant environment of the old timey rectangular Baptist Church layout with hard floors, plaster walls and stained glass windows. Sitting in the balcony I could hear the musicians fine and could tell the minimal sound system merely supported the natural acoustics.

The same reverberant environment that would make a rocking praise band difficult to tame made for a rich singing environment. The congregation knew the contemporary worship songs and everyone was singing. Loudly.

I can think of another very contemporary church in town where I’ve looked around during the “worship” music and nobody’s singing. Not that you could even hear them singing if they were – because the band is so loud.

Like I’ve said before, your music doesn’t necessarily grow your church, it helps define who comes to your church. The historic church attracts a young, hip crowd who probably went to a Caedmon’s Call concert the night before. The rocking church attracts a young, hip crowd who probably went to a Linkin Park concert the night before.

But whatever style your church, your congregation should be singing (even if your band is loud.) If they’re not, maybe these reasons will help you discover why:

1. The key is too high. Tenor worship leaders tend to sing worship songs in the key best suited for their voice, and that’s usually not a singable key for a plumber in the crowd. Don’t feel you must do that Chris Tomlin song in the same key he uses – your tenor worship leader will still sound fine a step or three lower and everyone else will then be able to participate.

2. They don’t know the songs. As worship leaders we know the worship songs, sing them once or twice and tire of them quickly. We also forget the average person is completely musically illiterate. At a church where I worked as pianist many years ago we wondered why people weren’t singing. When we looked at our song list we had about 100 praise songs and 100 hymns in rotation. If we sang four songs each week we’d end up singing each song on the list about once a year. Pare down your song list to something manageable and learnable.

3. They don’t like the style. I was talking about this topic once in one of my worship classes and a man asked the question “I’m doing all the top praise songs so why is my congregation not singing?” He had the typical electric guitar driven pop praise band.

I asked him “What would you say is the favorite music style of the average person in your congregation?”

“Bluegrass” he answered.

A Bluegrass loving congregation isn’t really going to get into the latest Lincoln Brewster tune. But they might like the same tune in an acoustic style with a little mandolin or fiddle thrown in. Worship leaders, don’t try to make your congregation like the music you think they should like – get a sense of who they are and tailor your worship experience to them.

This week: plant a few spies in your congregation this Sunday and ask them to report back whether people are singing or not.

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